Lifestyle 'Ride the AI wave, don't fight it': Multimedia artist Raghava KK.Explained Indian Oil responds to Adani Ports contract allegations: What have Congress & Mahua Moitra claimed?.Opinion A Tamil proverb describes the Budget best: it hit the poor in the belly.Sports Ashwin-Jadeja: Yin and Yang, AC-DC, a deadly pair that cannot be unhyphenated.Sports KL Rahul is no longer Test vice-captain Rohit Sharma to decide who will be his deputy.Trending ‘38 years since we first met’: Priyanka Gandhi shares photos with Robert Vadra on wedding anniversary.Trending Passenger shares her experience of riding a cab with woman driver in Lahore.
Day after Nitish remark, Cong: ‘Not two-faced like many in Opposition’.Opinion EC’s endorsement of Shinde-led Sena may hurt BJP more than it helps.The writing in Subramaniyapuram apes normal life and that makes it incredibly effective. His choice had been made and had no qualms about it. The second betrayal sees Ganja Karuppu walk away without the slightest hint of confusion as his friend Paraman gets murdered. Azhagar, on the other hand, takes the betrayal in silence. When she meets Azhagar, who doesn’t know that she has brought his enemies as well, she cries through the entire meeting. The two betrayals that define Subramaniyapuram also tells a lot about the characters involved. “Padhavi illa na ivanga kuda madhika matanga” says Samuthirakani at one point in the film, indicative of Azhagar and Paraman’s importance in his scheme of things. After arranging bail for Azhagar (Jai) and Parman (Sasikumar), Samuthirakani inquires if Azhagar’s mother has the money to pay for it. We don’t get villains but human beings at their manipulative bests. There is no aspirational value to Subramaniyapuram’s flawed, jagged and ultimately real people.
0 kommentar(er)
